Mieke Bal, a cultural theorist and critic, has been Royal Netherlands Academy of Arts and Sciences Professor. Her interests range from biblical and classical antiquity to 17th century and contemporary art and modern literature, feminism, and migratory culture. When writing on art, she favors dialogue over the application of theory, and anachronism as a magnifying glass over historical reconstruction. Her many books include Of What One Cannot Speak: Doris Salcedo’s Political Art (2011), Loving Yusuf (2008), A Mieke Bal Reader (2006), Travelling Concepts in the Humanities (2002) and Narratology (3d edition 2009). She is also a video-artist, making experimental documentaries on migration. Her first fiction feature, A Long history of Madness, with Michelle Williams Gamaker, began to be shown publicly in 2011. She is currently working on a series of video installation, later to be turned into a feature film, titled Madame B, based on Flaubert’s prophetic masterpiece Madame Bovary. Occasionally she acts as an independent curator.
Comparative Literature, Amsterdam
Fields of Research
cultural analysis, critical semiotics, feminist theory, relations between verbal and visual arts, transcultural theory, anthropology, narratology, psychoanalysis, methodology of interdisciplinary approaches, museology
- Mieke Bal: Fragments of Matter: Jeannette Christensen. Bergen: Bergen National Academy of the Arts 2009.
- Mieke Bal: Kulturanalyse. Hg. von Thomas Fechner-Smarsly und Sonja Neef. Frankfurt am Main: Suhrkamp 2006.
- Mieke Bal (Hg.): Narrative Theory: Critical Concepts in Literary and Cultural Studies. Vol. I-IV. London, New York: Routledge 2004.
- Mieke Bal: Quoting Caravaggio. Contemporary Art, Preposterous History. Chicago u.a.: Univ. of Chicago Press 1999.